Waves Linear-Phase MultiBand Software Audio Processor Instrukcja Użytkownika Pobierz pdf (Strona 24)

Trash Complete 64-bit Distortion Processor

CO M PUTER AUDI O PL UG-INS

iZotope

1315

(212) 444-6601• 1-800-947-9901• Quick Dial 91

A distortion and amp modeling plug-in with a range of 64-bit box, cabinet, and speaker models,

multiband distortion algorithms, fully sweepable and

triggerable filters, and a unique delay module. Each

processing stage offers a full range of parameters to sculpt

the perfect sound. Trash offers unlimited creative flexiblity

with a high degree of interactivity between the various

processing stages — you can even change the order of

each stage. Although creating killer guitar and bass

sounds is Trash’s obvious application, it’s multiband tools,

extensive box modeling library and delays are ideal for crafting

massive drum tracks, adding interest to static synth sounds, as well as discovering unique sound design capabilities.

◆ 48 distortion types ranging from tube over-

drive to the fuzz of germanium transistors.

◆ You can chain pairs of distortions together,

or split the signal into multiple bands and

apply distortion independently to individual

frequencies — all with 64-bit precision.

◆ There are 85 models of amp cabinets and

speakers to choose from including many

classics, combos, boutique models, stacks.

◆ 36 filters available, pre and post distortion,

ranging from synth filters, resonant filters,

classic analog filters and more. The pre-filter

offers LFO and envelope modulation for

wah effects, while the multiband post-filter

lets you tighten up the final sound.

◆ Multiband dynamics and gating allow you

to control the peaks and tame the noise

independently for up to 4 frequency bands.

◆ The Buzz module offers a selection of classic

lo-fi delays including tape delay with

saturation and nonlinear tape machine

artifacts, tape-tube delay with added tube

saturation modeling, classic analog delay

with analog degradation and lo-fi digital

delay with quantization noise and aliasing.

◆ Also features an integrated preset manager,

History and Undo lists, frequency spectrums

and meters and complete host automation.

Trash

(Mfr # 9910-40701-00; B&H # IZT): For Mac and PC in RTAS, AudioSuite, HTDM, VST, MAS, Audio Unit, and DirectX formats ................................................CALL

SPECTRON 64-bit Spectral Effect Processor

A sound design plug-in, built around the Spectron Engine, that splits audio into thousands of

frequency bands, applies independent delay, morph, filter

and pan effects, and resynthesizes the processed audio

into an entirely new sound. Ideal for creating atmospheric

soundscapes and custom sound design for film, video and

games. It’s interface lets you control groups of frequency

bands with virtually unlimited options for sweeping and triggering.

Effects are manipulated by Nodes, not unlike the nodes of a parametric EQ with

control over frequency, amount, bandwidth, and shape. Use Spectron Nodes with

LFOs and envelope triggers to open up new levels up creativity. The immersive, easy

to use graphic user interface allows extremely flexible editing including the ability to manipulate individual frequencies.

◆ Morph module for effects reminiscent of a

vocoder but with frequency-selective

amount control.

◆ Spectral delay with independent delay and

feedback control for each frequency band.

◆ Spectral-based stereo panning.

◆ Filter module for frequency-selective

attenuation.

◆ The Smear module includes 4 independent

delay lines with flanger-style LFO for

smoothing output of the Spectron Engine.

◆ Integrated preset manager.

◆

Innovative interface allows virtually unlimited

sweeping and triggering options, includes

advanced LFO settings with amplitude,

frequency and pulse-width modulation.

◆ A filter graph allows you to rearrange the

different Spectron modules.

Spectron (Mfr # 9910-40705-00; B&H # IZS): For Mac and PC in RTAS/AudioSuite/HTDM, VST, MAS, Audio Unit, and DirectX formats..........................................CALL

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